Art or Music?

If you had to choose only one to have, which would it be? Could you choose? Are they not both components of the essence that is life?

Letter from elementary school regarding music and art classes. Jilted grammar due to Google Translate as the letter comes initially in French.

For some years, whenever I have a kid approaching 6th grade, this is the letter I get from school. Due to what I can only assume is a lack of resources, kids have to choose if they’d prefer to have an art or a music class moving forward.

I have always felt, and continue to feel that this isn’t a choice kids should have to make.

Can you even separate art and music? Should we? What about language, storytelling, and culture – which are components of both – will kids at some point have to choose to leave behind some or all of those as well?

Wrapped Reichstag

Christo and Jeanne-Claude, Wrapped Reichstag, Berlin, 1971-95 
Photo: Wolfgang Volz  © 1995 Christo 

Was reading an article online that referenced this art installation Wrapped Reichstag, by Christo and Jeanne-Claude from 1995. I’d never heard of it so searched it up. I find the studies and models leading up to the installation fascinating. It’s impressive how in the final installation, the fabric actually accentuates the architectural features of the building and the contrast of the wrapped structure with the area and other structures around it is sublime.

The planning and design of the fabric panels and rope layout to achieve the desired contours and texture is so well executed and is so much more interesting when I saw the studies and pictures vs. the image that popped into my head when I imagined a ‘building wrapped in fabric’.

Architects Should Wield Their Power for Sustainable Spec

In an article over at DeZeen, Christine Murray makes the argument that “It’s time for architects to choose ethics over aesthetics,” or as she goes on to elaborate, over business relationships and patronage. I couldn’t agree more.

Yet architects are lazy and unprofessional when it comes to material selection. A major survey by the AIA reveals seven out of 10 architects specify products based solely on their personal relationship with the supplier, and rarely do any research at all. “It’s an extremely relationship-driven market,” said Nik Werk, manager of the research. In short, it’s who you know, not what.

In addition, the study found that 57 per cent of architects copy-and-paste their spec from a previous project, with 16 per cent reusing it wholesale. The result is an industry stuck on repeat and plagued by corruption and nepotism.

I would think this mentality could apply to contractors and private citizens doing their own renovations as well. Making small efforts to use better, more climate-friendly products could pay off over time.

At current rates of warming, most places will become uninhabitable due to floods, wildfires, drought and heatwaves – triggering mass migration. War and famine will follow as we move inland and scrabble over resources. This is not happening in the distant future. Read the news: from cyclone Idai to the Central American caravans, Southern Californian fires to the war in Syria, the process has already begun.

It will unpredictably, radically, grow worse. One quarter of Boston will be underwater at some point in the next 25 years. By 2100, southern Europe will be in permanent drought and the areas burned by wildfires in the US “could quadruple”, David Wallace-Wells writes in The Uninhabitable Earth. By then, 1.5 million homes in the UK will face coastal flooding and 100,000 homes will fall into the sea. We’ve been given 12 years by the UN to dramatically lower carbon emissions to reduce the chances of the earth’s sixth extinction. Instead, CO2 is rising.

What is the point of firmness, commodity and delight in the face of crop failure, nothing to drink, or breathe? Forty per cent of insect species are in decline; if we lose them all, we have no pollination – nothing to eat – and the entire ecosystem collapses due to starvation. What matters is now, not whether your stone facade is still standing at the fall of mankind.

On a side note, I listened to a podcast with David Wallace-Wells, the author who’s book Ms. Murray cites in the quote above. Fascinating – and terrifying – stuff. His book seems very interesting – it’s premise being that everyone is talking about the maximum targeted earth temperature change as a result of climate change (2º warmer) and its impacts. His angle was to assume for a moment that we can’t hit that and things get warmer. What happens then? Apparently, if architects keep it up, there’ll be a lot of really nice buildings and no inhabitants.

https://www.dezeen.com/2019/03/28/opinion-christine-murray-climate-change/