It’s Friday, Mofos: Therefore, JAZZ.

So I’m bombing down the dark backroads of New Brunswick between the Hinterlands of Chipman and Fredericton last night and listening to jazz on CBC Radio2’s Tonic – you know – cause that’s how us New Brunswickers take the sting off an hour back and forth drive for a tough Atom Rec Hockey 8-0 pasting – and a few tracks stood out for me from the obligatory (though always excellent) John Coltrane and Ella Fitzgerald. Luckily the boy was too fully immersed in on the iPad in whatever ‘get your dude through to the next level’ game is hip right now to register a complaint with regards to my listening choice.

ton·ic [ˈtänik]

noun
1. a medicinal substance taken to give a feeling of vigor or well-being.
synonyms: stimulant, restorative, refresher, medicine; More
2. short for tonic water.

adjective
1. giving a feeling of vigor or well-being; invigorating.

First off mellow out with The Bad Plus, doing an unexpectedly cool cover of Tears For Fears’ ‘Everybody Wants to Rule the World’. Yes, you read that right. A tasty cover for sure and Drummer David King’s delicious ride cymbal work merits a listen of this track alone.

Now that you’re chill, rocket to light speed with Dinah Washington grooving through ‘Destination Moon’. When this came on and Dinah kicked in the swagger, I was ready to jump on whatever vessel she wanted and teleport wherever she asked. Houston, I am smitten.

Get up, out, and blast off kids, it’s Friday!

The Return of Green Day?

Ok, so pursuant to a thread last week on my Google+ page about Green Day records, for the past week I’ve been checking out their latest ‘trilogy’ for lack of a better word, Uno! Dos! Tré!.

I remember being nonplussed when they started releasing these. I have to admit that my first reaction was, they’re releasing THREE records? WTF? Ok, they’ve finally jumped the shark.

The records were released to relatively little fanfare, especially after BJA’s on-stage blow up and subsequent rock star cliché ‘admission to a substance abuse program’ both overshadowed the records themselves and also caused the cancellation of the majority of the live shows that were in support their releases.

I remember joking with a buddy that maybe BJA’s tirade was ‘orchestrated’ to get press the day before one of the records (I think the first) dropped. If so, the plan backfired.

All that being what it is, now that I’ve given the records their chance, I think they’re solid. As often with double albums, I often wonder if they shouldn’t have just focused more and whittled it down to two records, but then, well, the novelty would be lost, I guess, since they’re three of ’em right? (Well actually there’s four now, these sessions were the first to include touring guitarist Jason White – the now ‘official’ 4th member of Green Day, so where’s his record?).

I don’t think that this material is as monumental as say American Idiot or 21st Century Breakdown, but then again, I don’t think it’s supposed to be. I think that’s maybe part of my hang up. After the grandiose expanse of the last two records, I’m actually having trouble adjusting back to two minute, 3 chord bashers. I think my inner prog – punk rock love child needed more.

Now that I’ve let the set grow on me though, I’m digging it. There’s a few tunes that I could do without and a few that are drop dead awesome – as would be expected in an artillery of 37 tracks, but I’m getting past my initial instinct to find the characters in the tunes (as I did with the last two records) and just listen to the songs themselves, and I’m finding as a whole, they’re pretty good.

It’s like going from standing against the back wall of the club, nodding your head in pensive reflection of the deeper meaning of it all, and getting back into the pit at the edge of the stage and throwing elbows again.

Storytime with Lynyrd Skynyrd

Jumped in the truck the other day and caught Skynyrd’s ‘Freebird’ on the radio. Very 80’s moment, I know.

It’s a shame that this has become the cliché/parody of itself that it is now, but maybe that’s precisely because it remains one of the baddest jams out there.

When I was working with a band in the mid-90’s we played some shows in Florida and happened to be staying at the same hotel as that era’s lineup of Skynyrd as they spent a week preparing to go on tour. We met a few of the guys by the pool and they were downright awesome. Shared all kinds of tales from the road, plane crash stories – the full nine.

I mean, these guys were rock legend at this point. We were just some young alt-rock wannabes – they didn’t even have to give us the time of day. But not at all. They were very humble, encouraging and I think even a bit proud (they’d every right to be) of the longevity they’d enjoyed, especially in light of all the ups and downs they’d experienced as a band of brothers.

It was a rather silly scene – I remember stepping away for a minute and coming back to see my friends all sitting on the ground, legs crossed, in a circle, around a lounge chair where Leon Wilkeson was perched, telling tales. It looked – for a minute – like storytime at school. Bizarre.

Then they took us to a local – ahem – ‘Gentlemen’s Establishment’.

What I remember of it was an amazing time, and what I’ve forgotten was probably even better.

Epilogue: In what was the most amazing move yet, they invited us to hang backstage during their show that was coming up in 2 days, but the agonizing truth is that we had a flight out booked before then. We scrambled to get it changed, but couldn’t and in vain tried to find some alternate method of getting home, but alas, couldn’t. The guitarist for the band hosting us down there had offered to drive us back to DC, but there was 6 of us and gear and all he had was a 2 door hatchback. So. Close.